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Almost nothing : Observations on precarious practices in contemporary art / / Anna Dezeuze
| Almost nothing : Observations on precarious practices in contemporary art / / Anna Dezeuze |
| Autore | Dezeuze Anna |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2017 |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 700.411 |
| Collana | Rethinking art's histories |
| Soggetto topico |
Unsicherheit
Kunst Art, Modern Conceptual art Art, Modern - 21st century Art, Modern - 20th century |
| Soggetto non controllato |
Assemblage
Dematerialisation Deskilling Everyday Failure Nothing Precariousness Precarity Slackers Zen Buddhism |
| ISBN |
1-5261-2071-2
1-5261-2349-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : almost nothing -- Junk aesthetics in a throwaway age -- 'At the point of imperceptibility' -- 'Good-for-nothing' -- Joins in the age of 'liquid modernity' -- Futility and precarity -- Postscript : on the humanism of precarious works. |
| Record Nr. | UNINA-9910792522103321 |
Dezeuze Anna
|
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| Manchester : , : Manchester University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Almost nothing : Observations on precarious practices in contemporary art / / Anna Dezeuze
| Almost nothing : Observations on precarious practices in contemporary art / / Anna Dezeuze |
| Autore | Dezeuze Anna |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2017 |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 700.411 |
| Collana | Rethinking art's histories |
| Soggetto topico |
Unsicherheit
Kunst Art, Modern Conceptual art Art, Modern - 21st century Art, Modern - 20th century |
| Soggetto non controllato |
Assemblage
Dematerialisation Deskilling Everyday Failure Nothing Precariousness Precarity Slackers Zen Buddhism |
| ISBN |
1-5261-2071-2
1-5261-2349-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : almost nothing -- Junk aesthetics in a throwaway age -- 'At the point of imperceptibility' -- 'Good-for-nothing' -- Joins in the age of 'liquid modernity' -- Futility and precarity -- Postscript : on the humanism of precarious works. |
| Record Nr. | UNINA-9910816253003321 |
|
Dezeuze Anna
|
||
| Manchester : , : Manchester University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip
| Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2016] |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 141.6 |
| Collana | Lit Z |
| Soggetto topico | Romanticism |
| Soggetto non controllato |
Constellation
Critical Theory Deconstruction Everyday Richter Romanticism Tansey Twombly Visual Culture contemporary poetry |
| ISBN | 0-8232-7106-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction: The Present Darkness of Romanticism -- The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday -- The Pathology of the Future, or the Endless Triumphs of Life -- Painting Theory: Mark Tansey’s Derrida Queries de Man -- Here There Is No After (Richter’s History) -- Goya’s Scarcity -- The Tone of Praise -- Endymion: The Text of Undersong -- Dancing in the Dark with Shelley -- The Pastoral Stain: Twombly under the Trees -- The Walter Scott Experience: Living American History after Waverley -- Free Indirect Filmmaking: Jane Austen and the Renditions (On Emma among Its Others) -- Population Aesthetics in Romantic and Post- Romantic Literature -- Technomagism, Coleridge’s Mariner, and the Sentence Image -- Willing Suspension of Disbelief, Here, Now -- Acknowledgments -- List of Contributors -- Index -- Sara Guyer and Brian McGrath, series editors |
| Record Nr. | UNINA-9910798423303321 |
| New York, NY : , : Fordham University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip
| Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2016] |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 141.6 |
| Collana | Lit Z |
| Soggetto topico | Romanticism |
| Soggetto non controllato |
Constellation
Critical Theory Deconstruction Everyday Richter Romanticism Tansey Twombly Visual Culture contemporary poetry |
| ISBN | 0-8232-7106-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction: The Present Darkness of Romanticism -- The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday -- The Pathology of the Future, or the Endless Triumphs of Life -- Painting Theory: Mark Tansey’s Derrida Queries de Man -- Here There Is No After (Richter’s History) -- Goya’s Scarcity -- The Tone of Praise -- Endymion: The Text of Undersong -- Dancing in the Dark with Shelley -- The Pastoral Stain: Twombly under the Trees -- The Walter Scott Experience: Living American History after Waverley -- Free Indirect Filmmaking: Jane Austen and the Renditions (On Emma among Its Others) -- Population Aesthetics in Romantic and Post- Romantic Literature -- Technomagism, Coleridge’s Mariner, and the Sentence Image -- Willing Suspension of Disbelief, Here, Now -- Acknowledgments -- List of Contributors -- Index -- Sara Guyer and Brian McGrath, series editors |
| Record Nr. | UNINA-9910821406403321 |
| New York, NY : , : Fordham University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||